Major public performances of her work include: Sydney Opera House Concert Hall (Soliloquy, solo piano, 1996); Royal Geographical Society (Corroboree, accompanying soundtrack to art exhibition, 1999); Sydney Entertainment Centre (Psalm 121, vocal/organ/bagpipes, 1999); British Music Information Centre (Surreal Sailing, solo piano, 2000); Bath International Music Festival (commission for the COMA Ensemble, 2001). Her work Accretion for bass clarinet and piano received a very favourable review from the UK Clarinet and Saxophone magazine and was performed in the finals of the Performing Australian Music Competition in the Exhibition Hall of the Australian High Commission, London. This concert was broadcast on ABC Classic FM across Australia in July 2001. Accretion has since been performed at St John's Smith Square in London as part of the MUSIC OZ series and will be performed again this September at Australia Musical Connections, Australia House, London.

Her symphony orchestra work Transparent Voices received its world premiere by the Orquesta Sinfónica Municipal of Mar del Plata in the Teatro Colón de la ciudad de Mar del Plata, Argentina in November 2001.

In 2002 her works were showcased in concerts given by Ensemble Isis, the Oxford contemporary music group, in Oxford and London.

Last year she was chosen to take part in the 21st Century Australian Composers Program and completed a new work, Cross Currents, for the Melbourne Symphony Orchestra which was performed in the Iwaki Auditorium in Melbourne last September, conducted by Markus Stenz. This concert was broadcast live on ABC Classic FM across Australia.

Another orchestral work, Centrifugue, was written for the Tasmanian Symphony Orchestra and performed as part of the Australian Composers Orchestral Forum which took place in the Federation Concert Hall, Hobart last December. Following the success of this performance, she was selected to write another work for the orchestra. This new work, entitled Interweaves, will be performed in Hobart this November.

Other recent commissions include a new work for the New Cambridge Singers to be premiered in Cambridge early 2005 and a piece for symphony orchestra and choir to be performed mid-2005 by the PLC Symphony Orchestra and Choir in Sydney.