Sounds Australian No.64

Sounds Australian, Journal of the Australian Music Centre, No. 64 2005

Different Beats: Issues and options in post-secondary music
Edited by Helen Lancaster

Retail price: $7.70

This edition focuses on post-secondary options in music in Australia.

Editorial - Different streets, different beats? [Helen Lancaster]
About the survey: collecting and accounting for the data [Helen Lancaster]
Creative Industries and music [Andy Arthurs]
Collaborative relationships, commercial conncertions and educational change [Simone de Haan]
Industry based training in the academy [Michael Hannan]
Cross-artform collaborations [Michael Atherton]
Teaching and research in musicology with special reference to ethnomusicology [Allan Marrett]
Musical practice in slow-motion [Huib Schippers]
What of Indigenous Australian music and musicians? [Jennifer K. Newsome]
TAFE music [Michael Barkl]
Music technology [Paul Doornbusch]
More equal than others [Rhiannon Cook]
A close-up on distance [Wendy Lorenz]
On the importance of being flexible [Greg Whateley, Peter Calvo, Ian Bofinger]
Group teaching: the current picture [Ryan Daniel]
Music education of teachers in schools [Nerly Jeanneret]
Contemporary issues in pedagogy in music institutions [Gemma Carey]
Sound Art re-considered [Ros Bandt]
Arts management at tertiary level: Essential? Or just icing on the cake? [Greg Whately, Peter Calvo, Ian Bofinger]

Terafide Percussion [reviewed by Michael Atherton]
Great Fences of Australia / Jon Rose and Hollis Taylor [reviewed by Ros Bandt]
Spike!: Eleanor Lewis plays Australian Cello Music [reviewd by Matthew Shlomowitz]

Suspensions : Australian Percussion Works [reviewed by Gary France]
Deadly Sounds, Deadly Places: Contemporary Aboriginal Music in Australia, Peter Dunball-Hall and Chris Gibson. University of NSW Press, 2004 [reviewed by Ian Maxwell]